That development itself followed another well-documented tangle of twists and turns within the story: Syed’s conviction had previously been vacated by an appeals court in 2018, only for the state’s highest court to reverse that decision a year later. Their request was based on new evidence uncovered in an investigation that began after Maryland adopted a law allowing individuals convicted of crimes as a juvenile to have their sentences modified after serving 20 years. The shock of this twist had already played out in the broader media ecosystem through the torrent of headlines that burst out last week, when news first broke that prosecutors had filed a motion asking a judge to overturn Syed’s 2000 conviction in the murder of Hae Min Lee, who had been his ex-girlfriend. For those broadly following the story (which is to say a lot of people), Tuesday’s update contained nothing particularly new or wild. The rest of the episode covered the series of events that led to this decision. From the sounds captured in the field recording, filled with cheers and tears and raw emotion, the scene did, indeed, feel extraordinary. “It was extraordinary, the whole thing.” She walked listeners through the scene on Monday afternoon at the Baltimore City Circuit Court, where the press conference - publicizing that a judge had vacated Syed’s life sentence - was held. “Adnan Syed got out of prison yesterday,” said host Sarah Koenig in the first seconds of the episode, her familiar narration sounding almost matter-of-fact. On Tuesday, the morning after Adnan Syed walked free following more than two decades behind bars, the Serial team, which first vaulted Syed’s story to international attention, released a brisk 17-minute update documenting the remarkable moment. How do we tolerate, interpret and account for it? What happens when pain is minimized or dismissed?Įpisode 1 of The Retrievals arrives Thursday, June 29th.Photo-Illustration: Vulture Photo by Jerry Jackson/The Baltimore Sun/Tribune News Service via Getty ImagesĪ prerecorded Global Tel Link notice, Nick Thorburn’s plinking theme song, the drop in the beat - it’s almost Pavlovian how Serial’s opening sequence can take you back nearly eight years. Throughout, Burton explores the stories we tell about women’s pain. And then there is the story of how this all could have happened at the Yale clinic in the first place. The nurse, too, has her own story, about her own pain, that she tells to the court. Susan details the events that unfolded at the clinic, and examines how the patients’ distinct identities informed the way they made sense of what happened to them in the procedure room. But most of the staff members who fielded the patients’ reports did not know the real reason for the pain, which was that a nurse at the clinic was stealing fentanyl, and replacing it with saline.įrom Serial Productions and The New York Times, The Retrievals is a five-part narrative series reported by Susan Burton, a veteran staff member at “This American Life” and author of the memoir “Empty.” Others called the clinic from home to report pain in the hours that followed. Some of the patients screamed out in the procedure room. Then a surgical procedure called egg retrieval caused them excruciating pain. The patients in this story came to the Yale Fertility Center to pursue pregnancy.
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